Personnel
GREG LAWSON 1st violin
Greg Lawson comes from
Greg's playing is characterised by intensity and a tone which sings every inch of the way. As a person he can be explosive,- maybe "volatile" would sound better- but tremendously warmhearted. He lives in Glasgow with his girlfriend, Fiona, also a fine violinist, his son, Fen, and his stepdaughter, Rebecca.
ROBERT McFALL 2nd violin
Robert McFall is really the founder of the group, its main administrator and arranger, as well as its 2nd violinist. From a public school/Oxbridge background, Robert is one of the few remaining speakers of 1950's received pronunciation, a source of amusement within the group. He has been working as an orchestral violinist for twenty years, an experience which finally drove him to the iconoclasm of Mr McFall's Chamber. Having spent many late evenings waiting in smoke-filled Edinburgh nightclubs to help his teenage sons safely home with their heavy equipment from gigs, he finally felt like a piece of the action himself, and formed Mr McFall's Chamber specifically to perform in such venues. This led to the search for and the creation of a repertoire suitable for such occasions, which in turn led him into arranging, composing, not to mention word-processing, personnel management, stage-setting, and a host of other previously undreamed-of skills.
BRIAN SCHIELE viola
Brian Schiele was born and spent the first 9 years of his life in Argentina, where he still has many relatives. Although his subsequent upbringing in England has somewhat obscured his origins, he maintains a strong sense of Argentine identity. This only shows itself to others in the way that Brian seems to take up more space than other people- and in his dependence on mate tea. Brian has been a member of a number of chamber music groups, including the Auriol Quartet for a number of years. Along with Robert, Greg and Su-a, he is a member of the Scottish Chamber Orchestra. He lives with his "girls", Rebecca, his wife, and Hannah and Flora, his daughters.
Brian has written original compositions and some arrangements of tango numbers for the group.
SU-A
L
EE cello
Although born in Korea, Su-a was brought up almost entirely in England, where she and her two sisters grew up to be talented musicians. In 1988 she won a scholarship to study with Harvey Shapiro at the Juillard School of music in New York.
Returning to London in 1992, she spent a year freelancing. During this period, amongst other things, she toured with Jamiroquai, appearing with them at the Glastonbury Festival. In 1993, she took up a position in the Scottish Chamber Orchestra.
Su-a sleeps very little. As well as her frenetic social life, she practices martial arts, and attends a number of evening classes, which, as you can imagine, requires some determination when she is, as a musician, so often working in the evenings. These include silver jewellery making and woodwork. Using these and other craft skills, she creates startlingly original birthday presents. Such things engage her. Music carries her on its current. She is the member of the group whom audiences watch.
RICK STANDLEY double bass / bass guitar
Rick Standley has been working
as a jazz bass player and bass guitarist from the age of 17. At the same time,
he has combined this with a career as a classical double bassist. The classical
career happens, generally, during the day and early evening, the jazz during
the night. He lives in North Ayrshire with his girlfriend Emma and son Joe. He works
as a free-lances double bassist with various
orchestras and is principal bass with the orchestra of Scottish Ballet.
GRAEME
MCNAUGHT piano
was born in Motherwell.
In 1986 he was unanimous winner of the first Scottish Piano Competition and
prizewinner in the Casagrande International Competition in Italy. He has
performed as a soloist and in ensemble with a wide range of artists throughout
the UK and in Europe and the Far East. His involvement with the award-winning
Chamber Group of Scotland since its inception in 1991 reflects his commitment
to the work of living composers which exists alongside an empathy with the
Romantic era for which he has always been known.
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